I've not read Mulvey in a minute, so going to go back to brass tacks, grass roots, grass tacks and brass boots and all that.
But before all that: just read an article by Alexander Doty who was my first film professor here:
"There's Something Queer Here"
A handful of interesting tidbits I can use to apply to my idea including the generally "perverse" nature of melodramas---this'll be splendabadoozy for getting me away from the analysis of one genre just. Also snippets on differentiating heterosexual and straight: sweet.
Alrighty, bang on I shall. Offski for some more.
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